metallers and oil spills

Earlier this summer, after BP's catastrophic Gulf of Mexico oil spill disaster, a bunch of musicians made the choice to boycott BP products on their summer tours. An email from Soilwork's label was the first I heard of it, but according to this Blabbermouth story on the BP boycott, the list of artists involved was fairly large, including bands like Anthrax, Megadeth, Rob Zombie, Korn and the likes (which may partly explain Korn's oil rig stage set-up at Heavy MTL?).

The latest bit of anti-oil spill news to come my way sounds a little more proactive, and involves the new band fronted by ex-Killswitch Engage singer Jess David Leach. Apparently The Empire Shall Fall are contributing some merch money to Gulf clean-up efforts. All proceeds from the sale of their latest t-shirt, designed by Matt Yezuita, are going to a group called Gulf Coast Wildlife Rescue. There's a short window for this charity-support shopping, but if you want a TSEF shirt and want to help out animals in the Gulf, you've got until August 29th at midnight to make your money do a little extra work.

summer of fun = summer of much live music

Still trying to make up for the vast concert-less desert that was the early months of 2010, my summer concert-going is very healthily heading toward mid-August.

This past weekend Hamilton's Gage Park hosted the annual Festival of Friends. I first heard about the fest in the early 90s when my sister lived in Hamilton. I can't remember if she ever took me or not (that is a long time ago, after all), but either way, now I've been myself. It was a short visit – a turn on the ferris wheel, a wander round the vendor stalls, one beer and one live set – but well worth the bus ride there and the FREE admission. The event draws an interesting collection of people (all the way from babies to retirees, I would say) and is pretty successful at drumming up a festive atmosphere.

I would've liked to check out more of the performers over the course of the weekend but decided to concentrate my attention on former Bauhaus frontman Peter Murphy. Fresh from a flight over the ocean, Murphy and his band had pockets of black-clad fans dancing and singing along, but seemed to keep even the more 'ordinary' listeners well entertained. I was amused by the minor costume adjustments he managed to maneuver, not to mention his lithe movements around the front of the stage, and especially the bouncing during one song. The 'goth' was kept at a low to moderate level, maybe part of the outdoor environment and mixed crowd, but he did squeeze in an (expected) acoustic version of "Bela Lugosi's Dead."

A mere 24 hours later found me in a very different space, musically and materially. As the fuzzy picture above (poorly) documents, I made it to last night's Boris / Russian Circles show in Toronto. Lee's Palace was a little slow to let us in (giving me time for a couple of samosas) and we had to wait a little more after we got inside. Then Russian Circles came out on the tiny sliver of stage allotted to them, completely ignored the audience and wowed us with their entirely instrumental performance. It was highly amusing to watch a small sea of heads bobbing as the band slipped into a heavy, chunky groove at one point and equally amusing to feel myself responding the same way.

By the time Boris took over the venue was packed at rapidly heating up. I'm not that familiar with the band and ended up hearing a lot more mellow, melodic shoegazer stuff than I expected. Even those hypnotic wandering pieces came across loud and heavy but it was the doomier bits of the set that I liked best, and the final moments brought this side of Boris's sound to a satisfying climax. The drummer provided the most visual entertainment, with his flashy vest and huge gong (you can't see it really, but in this picture he's standing up over his drum kit after delivering his part of the finale).

Next up: Mares of Thrace at Casbah in Hamilton on Thursday, August 12. It's only $5!

cynic reviewed (live)

I've been enjoying much live music this spring and summer, but last night's Cynic concert may have been my favourite of the lot. It seemed to be the night of the drummer, with the percussionists from all three bands (Cynic, Intronaut, Dysrhythmia) being all over their kits plus one Intronaut guitarist banging on a few extra toms at the end of their set. With a perpetual interplay of complex rhythms the drummers were the ones propelling the machine, keeping up a driving momentum where the multiple layers and (self-indulgent? nerdy?) experimentation might have ground that forward power to a halt. Normally I'm more intrigued by vocal and guitar textures, melodies and harmonies, but this show had me drum kit focused.

I've listened to a bit of all three bands before, Cynic much more than the other two. Dysrhythmia bowled me over in the best way possible, but revisiting their recorded stuff today I find it doesn't quite match up. Intronaut was a little more hit and miss for me, winning me over then completely losing my attention till they won it over again. As for Cynic, I'm surprised by how much their newer material has wormed its way into my brain, so that their special presentation of Focus in full felt like just a warm up to the tracks off Traced in Air, Re-Traced and Portal. Even now I've caught myself singing "The Space for This" and "Integral Birth" repeatedly throughout the day.

The Mule wrote an excellent review of the Vancouver show here. And the always entertaining Natalie Zed has a review up on Hellbound with photos by Adam Wills. But if you want to read my own 'professional' account of what went on last night, exclaim has it up here.

Cynic, then Boris

Two Mondays, two concerts.

Tonight at the Opera House:

Cynic, playing Focus plus some more recent stuff, with Intronaut and Dysrhythmia opening up. (look for reviews to go up at hellbound.ca and exclaim.ca)

Next week:

Boris, following an opening set by Russian Circles.

The summer of fun continues...