Thursday, 9 August 2007

part 2: freedom (for people and bears)

I just finished reading (listening to) The Traveler by John Twelve Hawks. Having spent the last several years of my life in academia subsumed by dystopian studies, I couldn't help but be intrigued by the ideas at the centre of Hawks's fiction.

I can't do the novel justice in the few sentences I'm going to give it here so if you're looking for a summary or review look elsewhere. I'd prefer to draw your attention to a few points of interest:
  • John Twelve Hawks lives "off the grid," as do some of his central characters.
  • The digital panopticon he describes is scary but I doubt it's far off the mark: it seems pretty likely that we're being coerced (and frightened) into sacrificing our privacy in the name of "security".
  • His (fictional) vision is not without hope. Hawks offers a suggestion of how we might (should) live in a [critical] utopian enclave, where community members take advantage of the benefits of high technology without becoming slaves to it, working toward and cherishing a sustainable and enjoyable way of life.
I intend to read the sequel.


Behind the controlling forces of digital surveillance in Hawks's novel lies a secret organization known as the Tabula or The Brethren, which makes The Traveler akin to conspiracy theory as much as science fiction, dystopia or thriller. Of course, I can't read anything about conspiracy theories without thinking of Ewigkeit, or now, James Fogarty's new project The Bombs of Enduring Freedom. Fogarty's work delves into many of the ideas that Hawks's writing raises, so if you're interested in one, you might want to check out the other.

The debut CD from The Bombs of Enduring Freedom is available for pre-order now from the artist's own independent production facility, Death to Music.

By now you might be wondering where bears come into all this. In The Traveler, one of Hawks's characters compares the average human to an animal in a cage. Only, unlike the non-human animal, the human entertains the illusion of freedom and privacy and doesn't see the bars of his/her cage. Thus, unlike the Syrian brown bear that recently escaped from a roadside zoo in Fort Erie, the average human isn't making a bid for freedom.

I completely respect the bear's attempt to run away but loose, s/he presented a significant danger to the surrounding communities. Of course, if the bear hadn't been kept in the little zoo in the first place, this problem would never have arisen. And what most people fail to realize is that roadsize zoos are dangerous even when the animals are confined. The animal enclosures at roadside zoos tend to be inadequate (thus the escape), placing visitors at risk. Poor cleaning and maintenance and improper enclosures present a health hazard as well.

Niagara Action for Animals sent out a request today asking for some letter-writing action in their ongoing efforts to ban (or at least better regulate) roadside zoos. Here are some suggested targets for your letters:

Editorial Page Editor
The Standard
17 Queen St.
St. Catharines, Ont L2R 5G5
905-684-7251 ext. 258
fax: 905-684-6032
kreid@stcatharinesstandard.ca

Niagara This Week
3550 Schmon Parkway, Unit 1
Thorold, ON L2V 4Y6
905-688-2444

Fort Erie Times

450 Garrison Rd. Unit 1
Fort Erie, Ontario
L2A 1N2
Telephone: 905-871-3100
Fax: 905-871-5243
Editorial: feeditor@cogeco.net


part 1: penguins in guelph

As a purveyor of local events, arts & entertainment information (at least temporarily), I often find out about neat goings on that would never ordinarily make it onto my radar. The Penguin Planet photo exhibition at NV Lounge in Guelph is one such gem. When I first found out about the exhibit, the idea that someone from Guelph had photographed penguins in Antarctica piqued my curiosity. When I saw some samples from the photo series it only aroused my interest even more. I had the chance to speak with the artist responsible, Peter Kelly, so I wanted to share some of his comments here.

Who is Peter Kelly?
I'm an Ecologist at the University of Guelph. I’m also an author and photographer.

How long have you been interested in photography?
Since I was 12 probably.

Tell me about your first camera?
My first camera I got it for Christmas was a Ricoh 500G. It was a glorified point and shoot.

Do you work with film or digital photography?
I still work with film. I have two canon camera bodies that I use. Everything in the show was shot on film.

Colour or black & white?
I usually do a lot of black and white; that’s probably what I’m most interested in. In Antarctica, the blues were really something so I shot way more colour than I did black and white. There are some black and white photos at the show, about 14 colour and three black and white.

How did you end up in Antarctica and when?
I went in 2003. It’s someplace that I always wanted to go. You can actually go there as a tourist now [with Quest Nature Tours]. It’s incredibly expensive. I couldn’t really afford it. I basically got a loan to go on the trip. It was my life dream to go there. It was either do it now or not at all.
I’ve always loved penguins as well. And the opportunity to photograph in a place that was virtually untouched by man was awesome. It was the most amazing thing I’ve ever done.

What intrigued you most about the so-southern continent?
I think the most interesting thing was the fact that people think about it as lifeless but it’s not. There's an incredible amount of life: humpback whales, seals, penguins, bird species... there's a whole ecosystem there. People think of it as a black and white place, rock and ice, but it's really a blue continent. The colours of blue there are really spectacular. The sky’s a blue we just don’t see here. The ice is various shades of blue, the water... It's an incredibly beautiful place.
In the summer there are 24 hours of sunlight. During the evening hours the light gets really low on the horizon, and you've got this blue and white, mountains of glaciers spilling into the ocean, low light orange glow... It's the most beautiful place I’ve ever seen.

When did photography become art for you?
I’ve actually been photographing for a long time now. This is the first show that I’m going to have. I’ve accumulated this vast collection and friends and colleagues have been telling me you’ve got to let people see these. Richard at NV was particularly attracted to the Antarctic photos.
I’ve also just co-authored a book that features a lot of my photos in it as well – The Last Stand: A Journey Through the Ancient Cliff Face Forest of the Niagara Escarpment with Doug Larsen (Dundurn Press Toronto). It came out about a month ago. There are 65 colour photos in that as well.

"Planet Penguin": photographs from Antarctica by Peter Kelly at NV Lounge, 16 Wyndham Street North, Guelph, 519-827-1064. August 1-31, 2007.

For more Peter Kelly: Photos on www.flickr.com/photos/PeterKelly1.